A vacuum like a Fein would do a great job. It has by-pass cooling for
the motor and does not depend on vacuum flow for cooling.
But for very little money, one can buy venturi based vacuum generators
which will do an excellent job.
I just found plans for a vacuum veneering setup. Looks like something
I'll try in my shop (once I get it all built, that is).
According to his site, 30mil is the best vinyl, and you don't want to
run the vacuum pump continuously, but to cycle it using a vacuum
pressure controller since most vacuum pumps have a zero pressure restart
ability (they're unable to restart while under vacuum). The author
claims that 21-23" of mercury is about what is needed for veneering, and
the pump should cycle back on between 17 and 19" of mercury.
The local purveyor of all things woodworking had a starter kit for vacuum
veneering on the display table last week. A skateboard kit. Maybe $50,
including a hand powered pump. Seemed like an inexpensive starter kit.
Probably, for smaller items. It's probably flimsy vinyl, though.
Here's a link which has links to vinyl for bags, too.
(click on the DuraMax pic on the bag page)
Tap plastics has it a WHOLE lot cheaper, though:
0.020" x 54" @ $4.15/yd.
Here's another source:
The only reason I would take up exercising is || http://diversify.com
so that I could hear heavy breathing again. || Programmed Websites
On the subject of vaccum bags, I read the Taunton book on workbenches
in Borders, there is a piece in it bout making a vaccum bag to make a
torsion box. They mention special vaccum bag tape used in the aircraft
industry. Anyone know what this would be and where to get it? Its the
type of thing where you really need a brand name.
I noticed that also - but I also noticed that when he works his actions are
slow and deliberate. Almost to the point of annoying.
(Look at a show where they both rip a piece of wood on the table saw)
Not that Nahms arent but they both work in very different manners. Ive
tried to apply that to my work and I can tell that the quality of my work
Don't this as derogatory, but this has been brought up a few times in the
past and, merely from an observational viewpoint, I've always thought it
strange that many folks seem to be uncomfortable unless they have polished,
actor delivered lines on TV.
I am beginning to wonder if this is possibly the natural reaction of a
generation raised on TV from a young age. Could be that because we didn't
own one until I was twelve, my perceptions in this regard aren't as finely
tuned as yours, and my expectations regarding polished delivery much lower.
To me, what you see as "stilted" is not surprising (and actually more "real"
and believable then the slick talking, pretty boy, DIY carpenters with
nothing but their buns to recommend them for the job) since DJM is so
obviously not an actor, and apparently delivering lines exactly as he is
required to do.
Again, just an off-the-cuff observation on a issue that has been brought up
a few times before.
I don't think its just the technology, very few US politicians would
local councilor level in the UK. With very rare exceptions they just
have public speaking skils.
Much was made of Georgeous George Galloway's appearance in the Senate,
but the performance that got rave reviews from most quarters was
sub-par Galloway won because he had weak opposition who treated him
too obvious contempt. If you look at his UK performances of years past
have been several occasions where a skilled interviewer made him self
Appearing natural and relaxed on camera as Reagan or Clinton could do
amazingly difficult, it is even harder if you are having to deal with
I don't often do TV work, its mostly press but even that is pretty
exhausting. When I do interviews there is almost always something I
feel I should have done better afterwards. And in press you always have
to work through the reporter who can sometimes print the exact opposite
of what you said - or in some cases the editor will stick a headline on
the article that is completely wrong.
Marks does look stilted but that is not his problem, putting the actors
at ease is the Director's job. Getting the right director/producer
combination is the agent's job. At this point Marks has done 8 series
and has an independent reputation, what he needs to do is take more
control over the process. DIYTV and HGTV are both running continuously
and have an almost unlimited appetite for material. Marks should have
an agent who is making sure that the format of the show best showcases
The DIY network have a really irritating guy who my wife describes as
'too cocky by half'. His performance is really polished but his
craftmanship isn't. This wouldn't be too bad if he presented himself as
an amateur having a go but he presents himself as an expert. The 'fix
it up' pair that used to come on after Norm when he was on HGTV don't
look too expert either but thats ok because the premise of the show is
that they are DIY'ers having a go.
Early on in the New Yankee Workshop Norm is doing the same sort of
thing at the very start the premise was he is a carpenter doing cabinet
work so if you have a little knowledge you can do like he does. That
started to wear thin after a few series and twenty years on it would be
ridiculous. But even so Norm does not talk down to his audience,
neither for that matter does Marks. The pretty boys with nice bums for
the benefit of the female audience frequently appear to be patronising.
The main difference between the Marks/Norm shows and the 'B-team' shows
as far as I can see is that Norm and Marks both spend time making jigs
to do the work properly and on the B-team shows the rarely use anything
more complex than a stop block.
There is a lot in what you are saying. A friend of mine brought over a
tape of a Who concert (shot way back when Moonie was still in it) which
was obviously shot by something like a local cable company. The audio
didn't have a whole lot of dynamic range, but it was all natural. Two
camera positions. The lighting was plain awful.
But you know what? It was real. There was no production. Naked Who.
The bootleg is the best of a large Who collection my buddy owns, and it
would never have been approved for release by the studio weasels because
it is too real. Warts and all. Just fabulous.
Sometimes the polish completly hides the artwork.
You're absolutely correct ... like a beauty mark purposely applied to a
woman's face back in the old days, the pursuit, and attainment, of
perfection usually rips the heart and soul from any endeavor. Not to mention
that I would rather hear a bad recording of a good song, than a good
recording of a bad song.
It's quite obviously scripted and not always correctly. He sticks with the
script regardless. On two occasions, I have heard him refer to a to a
Stanley #80 as a block plane. It was obviously in the script that way as he
has demonstrated on other occasions that he knows the difference.
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