Turning a lidded jar from cinnamon sticks cast in resin

Oct 12, 2026 Last reply: 2 days ago 4 Replies
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Most turners start with a board or a burl, but the maker behind Birdie Buster Golf started with a spice rack. The build is a decorative lidded jar where commercially packaged cinnamon sticks, the Moulin de Paris brand, were set in epoxy resin and then worked on the lathe like any solid blank. Casting the raw sticks first and turning the result afterward is a very different route from the usual spindle or bowl approach, and it pays off in looks.



The assembly sequence is what stands out. Sticks were arranged in two plastic containers, one for the body and one for the lid, weighed down with tape, and covered in resin mixed from Magic Resin Deep Pour and hardener, weighed on a digital scale and tinted with Liquitex acrylic ink. Both blanks cured in a pressure pot before demolding into amber-tinted cylinders. The larger blank went on a Nova chuck and was shaped with carbide tools, while the smaller lid blank was turned separately with a center pilot hole drilled in it. Gluing the lid to the body with Starbond Medium Thick cyanoacrylate, then shaping the whole assembly into a contoured urn-like profile before cutting it free, is a tidy way to get matching contours across the joint.



Sanding and polishing with liquid compound on a shop towel revealed cross-sections of the cinnamon scrolls, and the interior was drilled and carved out with hollowing chisels before the base was finished on a sanding pad. One open point: the maker said the material still gives off a lot of smell five days after casting, and that the finished jar turned out nicer than expected.



Project by Birdie Buster Golf . Watch it on their YouTube channel:

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The choice to glue the lid on and turn the whole assembly as one piece before sawing it apart seems clever to me. Shaping the contoured profile across the joint should give a much better matched line than turning the two parts separately and hoping they line up later.

Does anyone know how the sticks were kept in place during the pour? Floating would ruin the pattern in the cross-sections, and I am curious what method was used to hold everything down while the resin set.

The sticks were weighed down with tape inside the two plastic containers before the resin went in, then both blanks were cured in a pressure pot. That is the method shown for this build.

A variation worth trying would be leaving the resin untinted on a future blank. Since sanding and polishing already reveal the cinnamon cross-sections clearly, skipping the acrylic ink might let the natural color of the sticks carry the whole piece on its own.

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