Building a cajon, structural strength issue

Apr 09, 2017 28 Replies

The foam sounds like a good idea. I was thinking you could tape the strands together down a couple-few inches from the tips, just enough to wear the business end of the wires would contact the batter section of the cajon. The tape would keep them from jingling but still allow them to make a "snare" sound on the box. I suspect the jingling is from the separate wires percussing against one another.

BTW, if the snares don't work out, consider some sort of exterior pocket or something that would hold an existing shaker. Based on more the past

17 years of playing acoustic shows with singer/songwriters, I find certain shakers, rectangular, or pouch shakers filled with BB's or seeds, etc., sound much more like a snare drum than snare wires on anything other than the resonant head of a snare drum. :-)

Using an exterior shaker also give you the opportunity to customize/change the sound by simply attaching a different shaker.

Back in the djembe fad of the noughties (2000s), I kept a velcro pad glued to the head of my djembe and spots of velcro stuck on just about every shaker device I owned. This allowed for a bunch of variation in sounds.

That is exactly what is happening. The foam should be an easy fix, attached to the underside of the cajon top.

Interesting. I actually have a pair of the LP "Finger Shots".

I'm not that up on what may be popular at any given time, but I have always loved percussion, the more different sounds the better. And I have a near- compulsion to tap on things in rhythm, finding the "sweet spot" of every ho usehold item that has any resonance at all. :)

Now that I finally have a home recording setup, I can preserve some ot that banging and tapping for posterity.

Thanks for the tips.

The best "snare sound" shaker I ever used was a Remo Pocket Shaker-- flat plastic pouch filled with some sort of small BB's. What I loved about it (beyond its sound) was that it would sit flat on anything and could be struck with hands or any of the various other sticks/mallets I used.

It was the one that gave a perfect snare sound on the djembe. I had one sound guy looking all puzzled, walking around my kit trying to figure out where the snare was. When I set it on the head just right, its buzz would sustain a bit. I dubbed that sound my "Honda Civic With a Subwoofer" because it sounded like a license plate buzzing on one of those little rice burners the kids put huge sound systems in. :-)

By the way, this is what it looks like all assembled:

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speaking of exact

i guess the weight of the drummer does change the tension on the drum and change the tone or is the cajon meant to be stiff enough that this is not a factor

or maybe the weight of the drummer is considered part of the design

light player get a different tonal then heavier players

I'm no expert, but the box I built is pretty stout. I doubt there was significant deflection.

Greg Guarino was heard to mutter:

Greg it looks great. How does it sound? Are you happy with it?

It sounds pretty decent, but half of the reason I built it was to experiment with tweaking the sound. When I get around to it I have a couple of ideas.

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