So, I've taken this job with a stair company. They have been in business since the 1920's. They have a great record on the kit stair retail side and they are expanding into the high end custom stair side.
I went on a straight stair railing installation wrap up the other day and their mechanic, who has been with them for seventeen years was cutting the rail to yield with no thought given to color and grain continuity.
I don't know about y'all, but when I run a line of rail I want it to look like it came from one continuous piece of wood. That means that the cathedral arches all point up and the rail sections are selected for color and grain.
I was watching the guy just lop up the longest pieces for the longest runs and then fit in the offcuts wherever they fit.
Could have looked a lot better.
This kind of thing goes all the way back to the shop floor. I watched their guy grab sticks from the rack and feed them into the molder with no check for grain direction to feed and no look at different pieces to see if the grain and color could be made to match. He bitched when the molder chunked out on him but didn't seem to get that there was a right and wrong way to feed the machine.
WTF?
I'm the FNG and I didn't think it my place to comment but maybe it is what they meant when the said that they hired me to upgrade their wood end, they being basically makers of iron stairs who think of the wood facings as an afterthought. I've seen their risered stairs and there is no apparent thought given to the direction of the arches, which I have always oriented left to right. The same applys to the treads.
Also, they have platforms that they glue up out of oak and they show no intent regarding grain orientation during glue up. I can understand varying arguments on this - some might say that all bark side should be up for compressive strength and wearing and others might say that grain orientation should be reversed on each piece for planar stability - but there seemed to be no pattern.
I have had a theory for a long time that if you paid attention to these things in a building - the building would begin to sing.
One of my biggest hard ons when I was doing carpentry was about the relative heights of the top of the trim on doors and windows.
It was too often the case that the molding line at the top of the doors would be different than those on the windows.
If you take the time to make those lines marry, you get a rhythm to the room that gives you some visual peace. It is a small element that is worth paying attention to.
This goes back to design level and needs to be caught on the drawings.
Another one used to be the door at the end of a hallway where the trim was pinned on one side and there was three inches of wall space on the other side. That looks like shit. Once again. the framer may be following the print to the titts but the product is wrong.
Man, I shouldn't have gotten started on this.
How about the down lights in a ceiling that follow no apparent pattern. Has no one ever heard of a reflected ceiling plan?
Alright - I'm done for now. It is just that the little things add up and make a difference about how you feel about a room, a building, or an element. You can create rhythm and harmony in a room or house by following certain principles and those spaces will be a greater joy to their occupants than the typical slapdash bullshit that goes on in this business.
t.
t.