Don?t know about you, but I?m my own worst critic. Without exception, I don?t feel I?ve ever made anything out of wood I thought anyone would pay any money for, let alone a real chunk of change. I have surprised myself occassionally (my workbench for example) but I write it off as a series of lucky accidents. And when someone compliments me on something I?ve made I assume they?re just being polite and overlooking all my mistakes.
Now I?m not egotistical - or humble enough - to think I?m the only one who feels this way. But for convenience sake, I?ll put what follows in the first person. I hope a few who read this will see themselves as the ?I? in this tale.
With that as the context - read on - or not.
I recently returned from reunion with a bunch of my high school classmates. It wasn?t a class reunion per se, but rather an excuse for getting together from all over hell (one guy spent 51 hours getting there from Australia) and spending three days enjoying a bit of a place, Charleston in this case, and each others company. The excuse was that we all have made it to, or will be before year?s end, sixty.
Three things about what happened at this gathering got me thinking. This?ll ramble a bit but may be thought provoking.
In my freshman year of high school I did a series of blackboard chalk carvings and gave them to anyone who wanted one. One I gave to a girl in one of my classes and apparently it was good enough, or odd enough, to be worth keeping -for four decades - and warranted reminding me about at the get together. ?You wanted to be an artist but your parents wanted you to be a lawyer or engineer.? I don?t recall ever really thinking or telling anyone I wanted to be an artist. Never crossed my mind. I drew, painted and carved things just for fun. I figured everybody could do what I did - but chose to do something else instead. Didn?t occur to me that you could earn a living doing that sort of thing
- earning a good living having fun. I did study Chemical Engineering but spent my working career playing with computers in a field that didn?t exist when I went to college.
At our 20th reunion, several of my classmates brought their kids. I was the only ?adult?, other than their parents, who spent time with them, often sitting or laying on the floor playing ?Doodles?. Put a pen or pencil in a kids hand, have them close their eyes and scribble and doodle on a blank piece of paper ?til I yelled ?STOP!? We?d then examine the doodle, turning the page this way and that, looking for something recognizable. Once something was spotted, even if it was just a hint of an eye, nose or maybe a wing, I?d flesh out whatever it was we found. The newly discovered artist would save their masterpiece and want to ?do it again!?. ?After everyone else has had a turn you can do another doodle.? - I?d say. To this day, one of those former kids still tells her parents to say high to Doodles each time they depart for one of our reunions. She?s in her late 20s or early 30s now. At the Charleston reunion I did a cartoon for her -?The Duality of THE Doodle-ette? - and hopefully it will bring a smile and bring back some fond memories of at least one non-parent adult who played with kids and really had fun doing it.
As a token of appreciation for the work my two classmates put into making these reunions happen, I turned a pair of redwood lidded ?boxes?, with ebony finials. Each took about an hour to make and while they looked fairly nice I didn?t think they were anything really special - just a small acknowledgement of all their hard work.
Now one of my classmates is the acting director of operations for The Cheetah Conservation Fund
So now I?m faced with a quandry. Make and donate a few pieces and see what happens - or just keep my light under the basket as it were and never know if a piece I did helped raise some money for a good cause. I?ve started a lidded box and have noted that I?m taking more time to do things ?just so?, finding the nice grain pattern, making the walls thinner and more delicate, the form a lot more thought out, the fit nice and snug but not tight etc.. And as I go I notice that what I?ve got so far is pretty damn nice and I?m surprised I did it (though I?m certain disaster lurks just around the corner). Maybe I CAN make stuff that?s ?good enough? to share space with nice works by other, more capable and confident than I am, ?artists?.
So here are my questions:
When you do a special piece, do you work at a higher level than you thought you were capable of - and often surprise yourself - in a good way?
Do you think of yourself as being gifted when it comes to woodworking?
Do you, or will you, allow yourself a self pat on the back for a job well done - even just once in a while?
When you?re working on a piece and everything comes together ?just so? do you accept the fact that the universe / God or whatever is trying to tell you something?
Humility is a good trait. Some self deprecating humor is too. But if you have a gift why not use it - to its fullest - and take any compliments with a shy grin and an ?Aw shucks.? while counting - and using - your blessing(s) / gift(s)?
Attaining perfection is impossible - but a good goal to shoot for.
Just something to think about - or not.
charlie b