OT? D I Y sound wobblification

Mar 29, 2010 5 Replies

Sculptress of Sound: The Lost Works of Delia Derbyshire


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broadcaster and Doctor Who fan MATTHEW SWEET travels to The University of Manchester - home of Delia Derbyshire's private collection of audio recordings - to learn more about the wider career and working methods of the woman who realised Ron Grainer's original theme to Doctor Who. Delia's collection of tapes was, until recently, in the safekeeping of MARK AYRES, archivist for the BBC Radiophonic Workshop. Matthew meets up at Manchester University with Mark, along with Delia's former colleagues from the BBC Radiophonic Workshop, BRIAN HODGSON and DICK MILLS - plus former 'White Noise' band member DAVID VORHAUS - to hear extracts from the archive, discuss their memories of Delia and the creative process behind some of her material. Her realisation of the Doctor Who theme is just one small example of her genius and we'll demonstrate how the music was originally created as well as hearing individual tracks from Delia's aborted 70's version. We'll also feature the make up tapes for her celebrated piece 'Blue Veils and Golden Sands', and hear Delia being interviewed on a previously 'lost' BBC recording from the 1960s. Matthew's journey of discovery will take in work with the influential poet Barry Bermange, as well as her 1971 piece marking the centenary of the Institution of Electrical Engineers. This Archive on 4 is brought up to date with an individual track from 'The Dance' from the children's programme 'Noah'. Recorded in the late



1960s this remarkable tape sounds like a contemporary dance track which wouldn't be out of place in today's most 'happening' trance clubs.

Excellent stuff! White Noise has to be one of *the* classic albums.

One of those great artists who's talent was barely recognised in her lifetime. Few had heard of her until recently.

There have been several progs about her in the last few years. Quite a character. Met her once on a visit to Maida Vale. Many years ago.

Of course at the time she made her most famous stuff, the BBC tended not to give credits to 'sound engineers' of any flavour. Unlike today where Chris Watson seems to be mentioned daily. ;-)

In article , Dave Plowman (News) scribeth thus

Just finished listing to the prog .. excellent stuff well worth the licence fee;!.

Amazing lady tho..

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