can you please check and see if the equations mentioned in the article
are correct? After reading it I concluded you would probably know.
Tibetan Sound Levitation
Of Large Stones
Witnessed By Scientist
Excerpt from 'Anti-gravity and the World Grid' edited by
D.H.Childress, ch.8, Acoustic levitation of stones by Bruce Cathie,
A New Zealand scientist recently gave me an intriguing extract from an
article published in a German magazine, relating to a demonstration of
levitation in Tibet. After obtaining a translation by a German
journalist, in English, I was amazed at the information contained in
the story, and was surprised that the article had slipped through the
suppression net which tends to keep such knowledge from leaking out to
All the similar types of stories that I had read up until now were
generally devoid of specific information necessary to prove the
veracity of the account. In this case a full set of geometric
measurements were taken, and I discovered, to my great delight, that
when they were converted to their equivalent geodetic measures,
relating to grid harmonics the values gave a direct association with
those in the unified harmonic equations published in my earlier works.
The following extracts are translations taken from the German article:
'We know from the priests of the far east that they were able to lift
heavy boulders up high mountains with the help of groups of various
sounds...the knowledge of the various vibrations in the audio range
demonstrates to a scientist of physics that a vibrating and condensed
sound field can nullify the power of gravitation. Swedish engineer
Olaf Alexanderson wrote about this phenomenon in the publication,
Implosion No. 13.
The following report is based on observations which were made only 20
years ago in Tibet. I have this report from civil engineer and flight
manager, Henry Kjelson, a friend of mine. He later on included this
report in his book, The Lost Techniques. This is his report..
A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford.
During those times he became friends with a young Tibetan student. A
couple of years later, it was 1939, Dr. Jarl made a journey to Egypt
for the English Scientific Society. There he was seen by a messenger
of his Tibetan friend, and urgently requested to come to Tibet to
treat a high Lama.
After Dr. Jarl got the leave he followed the messenger and arrived
after a long journey by plane and Yak caravans, at the monastery,
where the old Lama and his friend who was now holding a high position
were now living.
Dr. Jarl stayed there for some time, and because of his friendship
with the Tibetans he learned a lot of things that other foreigners had
no chance to hear about or observe.
One day his friend took him to a place in the neighbourhood of the
monastery and showed him a sloping meadow which was surrounded in the
north west by high cliffs. In one of the rock walls, at a height of
about 250 metres was a big hole which looked like the entrance to a
In front of this hole there was a platform on which the monks were
building a rock wall. The only access to this platform was from the
top of the cliff and the monks lowered themselves down with the help
In the middle of the meadow, about 250 metres from the cliff, was a
polished slab of rock with a bowl like cavity in the centre. The bowl
had a diameter of one metre and a depth of 15 centimetres. A block of
stone was manoeuvred into this cavity by Yak oxen. The block was one
metre wide and one and one half metres long. Then 19 musical
instruments were set in an arc of 90 degrees at a distance of 63
metres from the stone slab.
The radius of 63 metres was measured out accurately. The musical
instruments consisted of 13 drums and 6 trumpets.(Ragdons) Eight drums
had a cross-section of one metre, and a length of one and one half
metres. Four drums were medium size with a cross-section of 0.7 metre
and a length of one metre. The only small drum had a cross-section of
0.2 metres and a length of 0.3 metres. All the trumpets were the same
They had a length of 3.12 metres and an opening of 0.3 metres. The big
drums and all the trumpets were fixed on mounts which could be
adjusted with staffs in the direction of the slab of stone. The big
drums were made of 1mm thick sheet iron, and had a weight of 150kg.
They were built in five sections. All the drums were open at one end,
while the other end had a bottom of metal, on which the monks beat
with big leather clubs. Behind each instrument was a row of monks.
When the stone was in position the monk behind the small drum gave a
signal to start the concert. The small drum had a very sharp sound,
and could be heard even with the other instruments making a terrible
din. All the monks were singing and chanting a prayer, slowly
increasing the tempo of this unbelievable noise. During the first four
minutes nothing happened, then as the speed of the drumming, and the
noise, increased, the big stone block started to rock and sway, and
suddenly it took off into the air with an increasing speed in the
direction of the platform in front of the cave hole 250 metres high.
After three minutes of ascent it landed on the platform.
Continuously they brought new blocks to the meadow, and the monks
using this method, transported 5 to 6 blocks per hour on a parabolic
flight track approximately 500 metres long and 250 metres high. From
time to time a stone split, and the monks moved the split stones away.
Quite an unbelievable task.
Dr. Jarl knew about the hurling of the stones. Tibetan experts like
Linaver, Spalding and Huc had spoken about it, but they had never seen
it. So Dr. Jarl was the first foreigner who had the opportunity to see
this remarkable spectacle. Because he had the opinion in the beginning
that he was the victim of mass-psychosis he made two films of the
incident. The films showed exactly the same things that he had
The English Society for which Dr. Jarl was working confiscated the two
films and declared them classified. They will not be released until
1990. This action is rather hard to explain, or understand.: End of
The fact that the films were immediately classified is not very hard
to understand once the given measurements are transposed into their
geometric equivalents. It then becomes evident that the monks in Tibet
are fully conversant with the laws governing the structure of matter,
which the scientists in the modern day western world are now
frantically exploring. It appears, from the calculations, that the
prayers being chanted by the monks did not have any direct bearing on
the fact that the stones were levitated from the ground.
The reaction was not initiated by the religious fervour of the group,
but by the superior scientific knowledge held by the high priests. The
secret is in the geometric placement of the musical instruments in
relation to the stones to be levitated, and the harmonic tuning of the
drums and trumpets. The combined loud chanting of the priests using
their voices at a certain pitch and rhythm most probably adds to the
combined effect, but the subject matter of the chant, I believe, would
be of no consequence.
The sound waves being generated by the combination were directed in
such a way that an anti-gravitational effect was created at the centre
of focus (position of the stones) and around the periphery, or the
arc, of a third of a circle through which the stones moved.
If we analyse the diagram published with the original article, then
compare it with the modified diagram, we become aware of the following
coordinates, and the implications, when compared with my previously
The distance between the stone block and the central pivot of the drum
supports is shown as 63 metres. The large drums were said to be one
and one half metres long, so the distance from the block to the rear
face of each drum could be close to 63.75 metres considering that the
pivot point would be near the centre of balance.
My theoretical analysis, by calculator, indicates that the exact
distance would be 63.7079 metres for the optimum harmonic reaction. By
mathematical conversion we find that this value is equal to
206.2648062 geodetic feet, which is harmonically equal to the length
of the earths radius in seconds of arc (relative to the earths
surface) 206264.8062. This also leads us to the following
(206.2648062 x 2) = 412.5296124 This number squared = 170180.68 which
is the theoretical harmonic of mass at the earths surface.
The four rows of monks standing behind the instruments in a quarter
circle added to the production of sound by their loud chanting and
must be taken in to account in regards to the geometric pattern.. If
we assume that they were standing approximately two feet apart, we can
add a calculated value of 8.08865 geodetic feet to the radius of the
complete group. This gives a maximum radius of: 214.3534583 geodetic
The circumference of a complete circle with this radius would be:
1346.822499 geodetic feet.
Which is a half harmonic of 2693.645 (unified field)
The distance from the stone block to a calculated point within the
cliff face and the height of the ledge on the cliff face from ground
level is given as 250 metres. If we can now imagine that the raised
stone blocks pass through a quarter arc of a circle during their
flight from ground level to the hole in the cliff face, then the pivot
point of the radius would be coincident with this position.
The theoretical radius was found to be: 249.8767262 metres which very
closely approximates the estimate. This converts to 809.016999
geodetic feet. The diameter of the full circle would therefore be:
1618.034 geodetic feet.
A circle with this diameter has a circumference of 5083.203728 units,
which can be divided into three even lengths of 1694..4 It therefore
appears that the levitated blocks, once resonated to a certain
frequency, would tend to carry out a flight path that is coincident to
one third of a circle. The spacial distance being equivalent to the
mass harmonic at the center of a light field, 1694443.
The instruments used by the group, in theory, would also have been
tuned to produce harmonic wave forms associated with the unified
fields. The given measurements are in rounded off parts of a metre but
in practice some slight variations from these measurements would be
expected in order to create the appropriate resonating cavities within
The geometric arrangement, and the number of instruments in the group
would also be a most important factor.
If the given measurement for each type of drum is modified
fractionally and converted to its geometric equivalent an interesting
value for the cubic capacity is evident.
The large drums:
1.517201563 metres long, 1.000721361 metres wide = 58.94627524
geodetic inches long, 38.88 geodetic inches wide = 69984 cubic inches
capacity = 40.5 cubic geodetic feet capacity.
Therefore the cubic capacity for eight drums = 324 cubic geodetic feet
This harmonic value is built into the world grid and is equal to half
the harmonic 648.
The medium size drums:
1.000721361 metres long, 0.695189635 metres wide = 38.88 geodetic
inches long, 27.00948944 geodetic inches wide = 22276.59899 cubic
geodetic inches capacity = 12.89155034 cubic geodetic feet capacity.
Therefore the cubic capacity for four drums: = 51.56620136 cubic
14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic
inches = 0.484813682 geodetic feet
As the dish-shape was focused upward towards the stone block to be
levitated it would be expected that some type of reaction would take
place which had an effect on the mass. The geometric shape of the
cavity does seem to be engineered in such a way the projected
frequency vortex causes a reciprocal reaction to the mass harmonic of
each block. The reciprocal of 0.484813682 = 2.062648055 Twice this
value: = 4.12529611 The square of this value: = 17.018068 (the
harmonic of mass at the earth's surface.17018068
I believe that there is not much doubt that the Tibetans had
possession of the secrets relating to the geometric structure of
matter, and the methods of manipulating the harmonic values, but if we
can grasp the mathematical theory behind the incident, and extend the
application, then an even more fascinating idea presents itself.