Sun, Nov 28, 2004, 12:59am (EST+5) snipped-for-privacy@TAKEOUTmindspring.com mumbles: It is if you have to keep re-tracing from those multiple copies. Especially if you're only tracing part of the pattern on succeeding copies.
I don't re-trace anything. Photo copies. Works just as good on part of the pattern.
When I say 'intricate' I mean things like pictures of wildlife posterized from photographs. That's an awful lot of drawing.
Again, photocopying.
As I say, there's a skill to making making heat transfer patterns and it's learned by experience.
Skill wasn't the problem. Wasn't getting results I liked.
Yep, and you run multiple copies when you make your copies. Easy enough. And, again, faster and more accurate than trying to transfer with carbon paper or something.
I only use carbon paper on one-shot projects, and seldom even then.
Show up fine for me. As I say, you have to get the surface flat for heat transfers to work. I don't think that's at all a bad thing to begin with so I don't see that as extra work.
I suppose you could use a color laser printer and print the pattern in white or yellow toner, but I'll give you that one. I use dressmakers' carbon paper in white or yellow and then go back and touch up with something like a whiteout pen. Something of a PITA, but it works. Only have to do it on woods like walnut. Even brown oak has enough contrast.
Waaay too much bother for me.
Yep. YMMV and that's what makes horse races. Not everyone is going to like doing heat transfers, but for them that do, there are things you need to do to get a good pattern.
--RC (who's getting ready to transfer some patterns for relief carved signs right now.)
Like I said, way too much bother for me, the photo copies work great for all that. Or, for a one-time shot, I just use the original drawing, or just draw it out on the wood. Could use a pantograph too, but don't.
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