Being a "no dye in the wool" Krenovian, I believed that It's The Wood Stupid and K.I.S.S. (Keep It Simple Stupid - odd how "stupid" seems to the underlying commonality) should be my guiding principles. To date, I've done little to adhere to the latter and am getting better at the former
-but I keep trying.
So when David Marks and others "patina" an otherwise really nice piece, and/or gild it - I cringe a little. Poly, wth few exceptions dictated by the use of the piece, to me, borders on an abomination. Wood, with all it's wonderous grains and colors, should stand on its own - no paint or poly, no tints or dyes, no piercing, no texturing, no charring, no carving, no sand blasting, no gold leaf - as close to the raw wood the better.
Then I saw a photo of a piece by Binh Pho - on the cover of Woodturning, a British woodturning magazine. I'd thought Tom Plamann was the Anti-Krenov (and I mean that in the most complimentary way), but I was wrong. Binh Pho is so far at the opposite end of the spectrum from James Krenov that the two are side by side.
My woodworking world has been shaken - to its core, or rather its pith.
Krenovians - look her - if you dare
Inspirational is a word tossed about all to casually. Not in this case - Binh Pho's work is truly inspirational.
charlie b