Asymmetric walnut armchair with woven paper cord seat

Oct 20, 2026 Last reply: 15 hours ago 3 Replies
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The detail that caught me off guard is the brass L-nails hammered into the inner seat frame. The paper cord is secured by pulling it through those nail hooks, and paper templates guided the drilling and hammering. Anchoring a woven seat with hardware like that is not something I come across often, and it reads as a very deliberate touch.



The build itself is a proper bench journey. It began as a 3D model in CAD software, and the maker has said Google Sketchup was used for furniture without many curves. Joinery came off a Felder K 500 S sliding table saw, with a Festool Domino joiner, a hollow chisel mortiser, and a band saw in the mix. The curved sections were shaped with templates, curved-bottom hand planes, rasps, and files, after rough dimensioning, jointing, thickness planing, and table sawing.



The chair, titled 'The margin of a seat', is black walnut with straight square-profile legs and an asymmetrical, sculpted backrest and armrest structure. The seat frame holds natural Danish paper cord, wrapped around the rails using a wooden block and hammer and interlocked into a geometric pattern. After the frame was glued and dried, exposed tenon pegs were trimmed flush, and an amber-colored oil finish was wiped onto every surface with a sponge. The intersections show refined joinery details, and Order No. 04 ended up functional, shown holding a mug and magazine on the side ledge.



One open question for me: since Sketchup was named as the tool for furniture without many curves, and this piece is full of sculpted curves, I would love to know how those flowing forms were worked out in the drawing stage.



Project by Mu:reut furniture무릇 가구점. Watch it on their YouTube channel:

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The paper templates for placing the brass L-nails strike me as the smartest call here. Hammering brass into an inner seat frame seems like work where a misplaced strike would be costly to undo, so guiding each hole from a template looks like careful planning rather than luck. Combined with pulling the cord through the nail hooks, the whole seating surface feels thought through.

I am curious about the sculpted backrest and armrest structure. Were those flowing curves already drawn in the CAD model from the start, or did the maker rough them out at the bench and refine them with the rasps and files as the work went on? The asymmetry makes it hard for me to guess which route was taken.

Since the amber-colored oil finish was wiped on with a sponge, it might be worth brushing a few test coats onto scrap walnut offcuts first and comparing them side by side before committing a whole chair surface. Walnut and oil can shift in tone quite a bit between coats, and a small sample board would make the final shade choice feel much safer.

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