Is it a bad idea to paint all four sides of the exterior wall different
I don't mean red yellow blue brown, I mean 4 very distinct shades of the
same color family. My wife can't decide which ones out of three. I said
why not pick four and I will paint each wall one color. You can look at it
and in six months tell me which one you like most and I will paint it
homogenously, or if no decision is made we keep it as four colors.
Other than cost, or having to deal with whether the wood fascia will follow
the color pattern, what would be the disadvantage?
That's just it, I don't think they would be able to tell, due to the
directions and lighting, the same color walls look different on
different times of the day, I bet they could not tell they are
different colors, and I bet my wife can't tell either, and may be
that's the ultimate reason not to do it is that why do it if one can't
tell the difference.
In the house I am in today, last time I painted all the interior
walls, I purposely painted all the narrow surfaces that are
perpendicular to the wall surface a darker shade, I mean the 4 narrow
strips of drywall around the windows, and no one was able to tell.
On Oct 20, 2:25 pm, email@example.com wrote:
If your wife can't make up her mind based on two or three 1' square
samples painted on the actual walls, then it doesn't matter what color
you paint it - she'll still find something to complain about. This is
where preemptive complaining enters the picture. It's up to you to
start complaining now about her indecision and finickiness. This will
negate her after-the-fact-complaint advantage.
Right orientation, wrong reasoning. The vertical orientation of the
paint samples will allow a wider range of viewing angles from a fixed
The samples should not be touching or the adjoining colors will
confuse the perception of paint color.
Different parts of each exposure. Even so, as you suggest, it isn't
perfect, even if the colors are painted on in a different horizontal
on each facade. Better to paint some flat panels and move them around
to mimic different exposures. Problem with any kind of swatch is that
some colors look more or less pleasing by contrast to other painted
colors and it is always good to test trim as well. Since everything
takes at least two coats, what I've used in the past, exterior and
interior, is to paint the darkest of any chosen color, and then if
that isn't right, lightening it up with the same base (say, for
interiors, titanium white which usually gets tinted) for the second
coat, again if necessary for the third coat. All coats are compatible
Paint 4'x4' splotches of each color on the south wall and give her 1
week to decide.
At weeks end if she hasn't decied then just paint the whole thing
FlexBon *White-White* and move on.
No one can argue with white, it *harmonizes* with everything.
BTW: Do yourself a favor when it comes time to paint the whole thing
go rent a commercial sprayer.
Halfway into the roller/brush thing you'll be so disgusted with
yourself, but with the sprayer you'll just be done.
I've done it both ways and I'll never use a roller/brush again.
Yes, get all the proper masking materials and plan your work, spend
the money, then git-r-dun.
This has got to be the longest remodeling project in recorded
I went to FlexBon to order 55 gallons of white paint and they showed
me 300 *versions* of white.
I had to jack the salesperson up against the wall before he told me
the proper name for plain ol' white paint in FlexBonland is *White-
Yes, you want FlexBon, and you know why.
***Stop at the hobby store and pick up a bottle of plain blue acrylic
craft paint, and put 5 drops of blue in each gallon of white and mix
My ol' gray haired pappy taught me this.
The human eye will tend to add *yellow* to the mix and the blue will
change that perception.
The blue additive won't turn the white to blue but will prevent the
eye from *imagining* the yellow.
This falls under that same category discovered long ago where a row of
completly plumb columns will appear as if they are leaning toward one
another, but by tapering the columns so they are slightly smaller at
the top will alleviate that issue.
Try this: Step into a close, completely white environment if you can
find one, perhaps in a bathroom or shower, and just stand there and
stare at the walls.
Quickly, your eyes will start to form small, light yellow splotches
close together in a random manner all over the walls/floor/etc.
The first time I saw this I thought there was something wrong with the
surfaces, but having observed these surfaces under various light
conditions I have come to the conclusion my eyes are perceiving the
yellow rather than it actually existing.
Quite unnerving to say the least to realize you are seeing things that
simply are not there.
That's interesting, and likewise about the columns too.
Once, while biking, I completely missed a change in level between a curb
and parking-lot because the normal depth-cues were missing (the change
in level appeared like one continuous surface), and I wiped out. :/
I did that while walking on a deck one time, it had a single step and
I didn't see it.
Walking along normally and I went right over it.
I didn't quite wipe out but I did bend my right knee backwards, hard.
That was 20+ years ago and just recently it has started flaring up.
Now, in commercial applications, they require visual cues AND,
hmmm....I'm searching for the word, well, *feeling* signals as well.
Theres a term for it but it escapes me.
Its where the two different surfaces are different, so that as you're
walking along you'll become tacitly aware that the surface of the
floor is changing - a warning that a step is approaching.
The surface you are walking on might be carpet for example but then
about 8' before you get to the step the floor will change to tile,
giving warning that the step is near.
Come on arky's whats the term I'm grasping for?
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