DAB aerial

The guard interval for DAB is 246 microseconds, hence

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Reply to
Andy Burns
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thought it was more than adequate.

Bill

Reply to
Bill Wright

Most of the time yes, but I've studied an awful lot of anomalous propagation over the years and particularly around sunset it is not unusual to get signals coming through from much further at high strength for a few seconds.

d
Reply to
Don Pearce

Yes, my radio has been unable to decode the BBC and D1 muxes for spells during severe 'lift' conditions. The metering menus showed 100% signal, but 0% quality, normally it's 100/100. I remember one day in August 2003, DAB was unusable, as was FM, as as DTT, the only stable reception was D-Sat, (and AM :-) )

Reply to
Mark Carver

But they promised us perfect reception free from crackles and hiss and fading!.

And their was this CD quality issue;)...

Reply to
tony sayer

Spot on! The satellite signals come down at such a steep angle that they don't get trapped in the atmospheric waveguide ducts that form. And AM wavelengths are just too big to fit. It is just the daily rise and fall of the ionosphere that dictates how far that goes.

d
Reply to
Don Pearce

the distance you refer to is 56 km.....

Reply to
Mallory

LOL!

I've heard that 128k was the bare minimum, according to ofcom, and that in no account should anyone use less. (anyone got the link?)

That doesn't explain why almost no-one uses MORE!

Andy

Reply to
Andy Champ

Well, I think we know the answer to that question.

Reply to
Andy Hall

Channel 4's DAB MUX will use 96kbps joint stereo, or so I'm told.

Last time I heard that bitrate was on ITV1's audio description channels, where it sounded foul. "Crunchy audio" is how I described it at the time. ITV's AD is now 128kbps -- a minor improvement.

The BBC, for all their faults, run their TV channels with 256kbps discrete stereo audio, even the AD soundtracks. (The "red button" channels are 192kbps on DSat, as are their main radio channels on DSat.)

Reply to
Paul Martin

In message , Paul Martin writes

They're not after listeners who tune in more than once then?

Reply to
Tony Quinn

My understanding was that the tests done by or on the behalf of the Moving Pictures Expert Group indicated that MP2 shouldn't be used at less than

256k. Anything less was classed as being annoying.

S.

Reply to
Serge Auckland

In article , Paul Martin scribeth thus

Bayern Klassik on German satellite runs their audio services on 320 K/Bits, but 441 odd when their doing Dolby 5.1!..

128K is considered, well, OK for just info services using Mono speech...
Reply to
tony sayer

NDR TV - 192kbps stereo. WDR TV - 192kbps stereo.

Also, WDR's video bitrate is about 2.5 times that of NDR. German TV stations use left channel for programme audio and right channel for audio description, even on digital satellite.

(Comparing my different recordings of "Dinner for One".)

Reply to
Paul Martin

A wonderful production, seen every new year's eve in virtually every country in Europe apart from the UK. In Germany on pretty much every channel.

Germans are really surprised to hear that most people in the UK have never heard of it or seen it. This is classic slapstick and is appreciated in much the same way that Mr. Bean is also popular.

There are some copies on Youtube, but many have been truncated. The proper version begins with an introduction by a German announcer explaining what it is all about and in total lasts for about 18 minutes.

Reply to
Andy Hall

I managed to pick it up on 5 different channels by satellite one year

Not only Dinner for one, how many people in the UK have even heard of Freddy Frinton ?

Reply to
geoff

Indeed.

He co-starred with Thora Hird in an early sitcom IIRC.

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Reply to
Andy Hall

Reply to
geoff

You mean people would rather pluck out their eyeballs and roast them in hot sand than watch it?

Reply to
Steve Firth

Morning" .... and I'd hardly call mid 60's an early TV sitcom.

Reply to
Tony Quinn

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