Been getting into turning. Just about any piece of wood that?s at least
3/4 inches thick and at least 4 inches long is a candidate for turning into something - literally. And while turning the third variation of what started with a Turned Snot-titesee alt.binaries.pictures.woodworking for photo or
First, you?ve got to come up with a ?style? which is easily recognized. It can either be easily copied (gets your style out there in the public eye and makes your ?original works? more valuable, or so complicated that no one else can figure out how to do knock offs before you come up with your next new style).
Second, you?ve got to work in ?series? or ?periods? or ?phases?, making variations and variations of variations of a ?concept? that fits into your ?style?. A great story about the genesis of each ?series? and a unique story about each piece, along, perhaps, with your interpretation of its meaning, is also a good idea. If you?re going after The Art World, skip your interpretation of a piece?s meaning - art collectors love to interpret things and share their insights with guests at cocktail parties. If that?s your market, better use obscure names for each piece.
Third, you must come up with memorable names for each ?piece? In a series. The name should fit the story developed in The Second Insight.
Fourth, sign and date each piece, or at least initial it and date it.
Fifth, keep a written journal of your ?work? - that will add to the ?provenance? and extracts can be included in the catalogue of each of your shows.
Sixth, work in either rare, exotic woods OR really cheap/less expensive very common woods - either end of the spectrum will work - if you get out on the extremes.
Seventh, always give the dimensions of each piece in millimeters - it?s more continental and makes things seem bigger than they actually are. That?s if you?re in the USA. If you?re anywhere else, use inches. Patrons love to do a little mental exercise between writing checks.
Eighth, change how you pronounce your first name - the one on your birth certificate. It?ll stick in peoples? minds better. Charles for example becomes Chawls or Sharuls or Shawls.
Ninth, add some kind of accent mark to your last name to change the emphasized syllable. Jones with a tilde over the ?e? becomes jo-Nez. If your last name is only one syllable, add a letter or two. Smith sounds pretty common. But Smiythe on the other hand, or better yet Smipth (the ?p? Is silent, as in swimming, (sorry - lifeguard joke) will stick in peoples heads. If all else fails, add an umlaut (sp?)
Tenth, use words that don?t go together ?my work is nano-monumental? or ?has a certain dynamic repose? or ?is perfectly asymetirc? or ?has a static fluidity to it?. (Worked for Lead Zepplin - but didn?t work for Iron Butterfly). If you can?t come up with anything in english, throw in some french. Avoid GERMAN - too guttural. If a word requires phlegm to pronounce it correctly it?s best to skip it- unless your market is in Germany, Austria or Belgium. Also avoid Russian - finding fonts for your ?exhibit? catalogue might be difficult.
Still working on Attire, Hair, Accessories and Studio Ambiance.
charlie b