No, we're talking about a building wiring, with an electrician being onsite to supply some multiway socket extensions:
If that made you think it was about car electrics, fair enough, but it doesn't sound that way to me.
As for car electrics, a fuse is a good idea IME, rather than an obsessive british preoccupation with them.
Well you'll not find out if you trim uk.d-i-y off the posting line, cos that's where Geoff lives....
David (who loves to see the fur fly....)
Actually I have, but my experience comes more from avionics in that field
Oh right
I've got plenty of floor space... ;-)
"Fran" wrote | snipped-for-privacy@cdelectrics.freeserve.co.uk said... | > complete re-wires are the best kind of sparky jobs IMO i like | > a job that i can really get stuck into. | > like i said - shame you live so far away :-( | I've got plenty of floor space... ;-)
To get an electrician these days you're going to have to offer home-made pies and cakes and the promise of other feminine favours :-) Floor space just isn't enough.
On the other hand, there are about 40,000 media studies students graduating this summer. Isn't education wonderful.
Owain
[...]
There speaks a man who has never tried to eat anything I've cooked :-)
And they'll all be making TV progs as producers. Knowing all there is to know about the technicalities having shot their project prog on DVcam and edited it on a PC. Bitter and twisted me? Never.
"Dave Plowman (News)" wrote | Owain wrote: | > On the other hand, there are about 40,000 media studies students | > graduating this summer. Isn't education wonderful. | And they'll all be making TV progs as producers.
Oh good, some new programmes instead of endless variations on a theme ...
| Knowing all there is to know about the technicalities having shot | their project prog on DVcam and edited it on a PC.
Well, that's all there is to the technicalities on a lot of programmes, and explains the fad for hand-held wobbly camerawork. Not every channel achieves the high production quality of QVC[1]
| Bitter and twisted me? Never.
I was at university with the producer of Still Game. I think he taught me how to edit. On a Revox. With a razorblade.
Owain
[1] Who always manage to start their programmes on time, unlike the BBC. It's funny when you get a still of the product for three minutes on end, though, with rustling, when someone's mic falls off.
No - they're already in charge. Hence all those cheap reality progs. They've not heard of having scripts written. It's sooooo old school...
You poor thing. Excellent though a Revox is as a domestic recorder, it's murder to edit on.
Studer was the pro side of Revox, and made machines for pro use - including easy editing.
Seems the move to using the wrong equipment started a long time ago...
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